Sunday, 30 August 2015

Spotify Advert Idea

Spotify, a fast growing music streaming service was valued at a staggering $5 billion in early 2015. The company’s revenue is generated from a range of different advertising platforms on the service as well as an estimated 15 million people paying subscriptions monthly. They have marketed the service well thus far by forming partnerships with music magazines, festivals, radio stations and charities. Furthermore, they have invested in creating online adverts ranging from 75 to 90 seconds, one of which is shown below featuring themes of Spotify’s advanced social media influence.


Although, they have not yet ventured into TV advertising due to the company’s opinion that it may not be as effective as online advertising. I believe this may be the wrong approach. The company knows it has captured the attention of younger audiences well through online advertising and social media but consequently they have not engaged with sections of the older audience who may rarely use social media related platforms. Evidently, people aged 45 or over only make up 25% of the demographic for Spotify Usage in the US.

It is widely understood that TV is still the most effective way to connect with a wide demographic, especially with the older audiences. Potential themes needed to connect with a wide audience on television would be ‘Music and its power to bring people together’ (a theme already being used in their online adverts) and ‘The Functionality and Ease of Use of Spotify on many devices’. 

Outline Idea for Theoretical Advert

Scene 1:

Unknown Girl aged 16-18 is shown doing some school work listening to Pop music on Spotify desktop. She gets message on her computer from her Aunt saying ‘Hope your work is nearly finished, can’t wait to see my niece tonight!’ the girl smiles at this message.

Scene 2:

Unknown Man (roughly in 40’s) is in a kitchen stressing about the evening meal and simultaneously has some chaotic opera playing on Spotify laptop. He gets a message on his phone from his father ‘Food better be on point tonight, hungry!’ he sighs with hands on hips clearly slightly anxious.

Scene 3:

Unknown Boy aged 14-16 is doing some art in his room listening to Spotify on iPad with rap/indie music playing. He gets a pop up from Facebook or related service saying ‘Event Tonight’ he laughs texting his cousin ‘Bring the football, got some new skills to show off ;)’.

Scene 4:

Unknown Woman (roughly in 40’s) finishing work and plugs headphones in Spotify’s mobile app and listens to some vibrant jazz. She gets a text from daughter ‘Hurry up, you’ll be late for tonight!’ and smiles, breaking into a jog.

Final scene:

All four of these individuals present at home in their living room with extended family having fun, laughing and joking with Spotify playing in the background on a TV screen (music choice to be suitable for whole family and upbeat). A big faded green comes over the screen, shrinking to a deeper green in the shape of the Spotify logo with quote ‘Bringing Music Lovers together’.

Reasoning

The whole advert centres on these different people, doing different things with completely varying music tastes. It conveys the wide range of devices Spotify can be used on and also how easy it is to use the service due to Spotify’s compatibility on each application which will appeal to the older audience. The final scene is the crux of the piece and shows how everyone is brought together and their time enhanced by the Spotify platform. It must be noted the viewer does not know these people are linked before the final scene to highlight this theme of togetherness. Also, the final caption ‘Bringing Music Lovers together’ sums the dynamic and versatile nature of the brand to the viewer. The advert as a whole convinces viewers to see Spotify as a must need technology for both social and personal usage regardless of age.

They could also use a recurrence of this advert format in later adverts to allow viewers to feel invested in the brand, much like the BT adverts centred on a dysfunctional family which started in 2005. In later adverts Spotify could use four 25-30 year olds going about work, sport etc. in their daily lives and then they could all end up at a party in the final scene where a DJ or Host is using a Spotify playlist to entertain everyone. They could also create a Christmas related advert with a similar format with the final scene cutting to Christmas Eve at a family house. In essence, I definitely think this format with the main theme of ‘Music and togetherness’ could identify well with all audiences, especially older audiences and hence boost revenue from this demographic.

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Monday, 24 August 2015

Lexus Hoverboard Advert 2015 Review

A great part of this advert’s success is based on previous techniques used by many other car manufacturers to make a memorable and effective advert. For example, using unrelated scenic places, environments or larger than life situations to symbolize the quality of a car is not unheard of. Lexus uses these techniques in abundance with the ‘Hoverboard’ and skate park elements signifying a rebirth of a quirkier and more edgy Lexus brand. Indeed, just recently Audi’s ‘Ice Hockey’ advert showed a car playing ice hockey with humans to a similar effect.

Another technique which is firmly resonant in many car adverts of the past is using powerful, emotive imagery to make the consumer believe that there is something truly special about their car. Lexus uses the ’Hoverboard’ rider clearing a jump over the Lexus car to symbolize a great technological feat being achieved, making the consumer inevitably in awe of what has happened. Again, the Chevy 2014 ‘Maddie’ advert shows a woman dealing with various hardships in her life but her dog and best friend Maddie is always there to support her. Chevy uses this situation effectively to draw parallels between the loyalty and reliability of Maddie and their new car.


Where this advert is predominantly different is how it has so effectively harnessed the power of social media to make it such a talked about brand online. The winning formula was when Lexus decided to marry their brand name with the iconic and legendary Back to the Future ‘Hoverboard’. The huge fan base of the movie have never been able to stop talking and speculating about the possible inception of such a device, when Lexus somehow were able to create and show this technology working, it was almost inevitable that the internet would blow up with shares, tweets and likes for the campaign, as aided by displaying the handle ‘#lexushover’ in the advert. Incredibly, mentions of the Lexus ‘Hoverboard’ spiked to ‘20x’ on twitter and the video advert quickly amassed 11 million views on Youtube in a matter of days. This also throws open a whole new argument about the power of viral adverts to a brand compared to only TV advertising.

Furthermore, the fact that Lexus is competing in such a concentrated market means it has to stand out, almost show that other car manufacturers are light years behind in development. They developed the elusive ‘Hoverboard’ and indirectly posed to the consumer the question ‘Which other manufacturer can boast such an incredible feat of technology?’ Lexus is now subconsciously a technologically superior car manufacture due to this. This is an especially important factor in the modern era of car consumers and their car sales increase of 9.1% from July 2014 to July 2015 may well be due to the success of this advert.

In fact, Lexus aren’t even making the ‘Hoverboard’ a commercial venture and are not developing the technology further. This to me suggests that they have planned and executed beautifully a daring stunt which will have done wonders for the power and longevity of their brand in the media against other rival car manufacturers like Mercedes-Benz and BMW.

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